18/06/2026
19:00 - Reading (Free with Soup)
20:00 - Film
Registration
Out of Sight
Somerstraat 31
2018 Antwerp
19h reading
Rant of the Menopausal cyborg (2002), Faith Wilding
Old women and men in America today are percieved as a class of liminal beings who daily commit public nuisances as they clutter up space and use up resources just by staying alive. Old bodies are seen as abject. They walk among us as living testimony to deatch and decay. They walk among us deformed yet still desiring, still consuming, still lusting, still covetous, still angry, still proud.
Now that your body and subjectivity are not useful for reproduction and production, use them as autonomous sites for your own resistant research into uselessness, obsolenscence and pleasure, be it physical, social, political, emotional, or spiritual. Refuse to shut op and hide!
Order the book Love & Lightning here!
20h screening
Peaches goes Bananas (2024,73’), Marie Losier
Marie Losier’s feature documentary takes an intimate look at artist and musician Peaches’ playful and intoxicating world both on and off stage. As the temperature never stops rising whenever Peaches performs, the film will inhabit all the heated energy of a dissident of the pop-electronic age who inspires global audiences by breaking the boundaries of gender, form and identity. Theatrical spaces, new fantastical territories, mind bending sets – the Peaches arena is a place where she reignites life, and invites the world to be a little more of this, a little more of that. Peaches undermines gender roles, adopting a comic array of male attributes, and queers her own iconic image as female sex symbol. Peaches is widely recognized as being original, and one of those unique contemporary figures of the antichrist. Peaches is tough. Peaches is tender. Who is Peaches?
Rant of the Menopausal cyborg (2002), Faith Wilding
Old women and men in America today are percieved as a class of liminal beings who daily commit public nuisances as they clutter up space and use up resources just by staying alive. Old bodies are seen as abject. They walk among us as living testimony to deatch and decay. They walk among us deformed yet still desiring, still consuming, still lusting, still covetous, still angry, still proud.
Now that your body and subjectivity are not useful for reproduction and production, use them as autonomous sites for your own resistant research into uselessness, obsolenscence and pleasure, be it physical, social, political, emotional, or spiritual. Refuse to shut op and hide!
Order the book Love & Lightning here!
20h screening
Peaches goes Bananas (2024,73’), Marie Losier
Marie Losier’s feature documentary takes an intimate look at artist and musician Peaches’ playful and intoxicating world both on and off stage. As the temperature never stops rising whenever Peaches performs, the film will inhabit all the heated energy of a dissident of the pop-electronic age who inspires global audiences by breaking the boundaries of gender, form and identity. Theatrical spaces, new fantastical territories, mind bending sets – the Peaches arena is a place where she reignites life, and invites the world to be a little more of this, a little more of that. Peaches undermines gender roles, adopting a comic array of male attributes, and queers her own iconic image as female sex symbol. Peaches is widely recognized as being original, and one of those unique contemporary figures of the antichrist. Peaches is tough. Peaches is tender. Who is Peaches?